I'm being spoilt by great music at the moment, and just when i thought it couldn't get any better Conor Oberst has written new material. The Bright Eyes singer and all round legend wrote 'Coyote Song' for 'The Sound Strike' currently taking place in the U.S (specifically Arizona), it's a pretty good cause so check it out. The recording itself isn't great as it is a live version from the crowd, but I knew you wouldn't wanna wait for this. Listen to 'Coyote Song' after the beep.
Showing posts with label Live. Show all posts
Showing posts with label Live. Show all posts
Seventeen - Marina & The Diamonds (Live at The Roost)
I love it when I get to post anything by the incredible Marina, especially when i can tell you that you can download a LIVE track for FREE. 'Seventeen' didn't make the cut for The Family Jewels in the UK but did however replace the equally impressive 'Rootless' on the US release. It was one of Marina's earlier songs which some of the die hard fans may have heard in late '08, I can tell you that this slightly updated live version is just as special as those first few listens to Marina all those years ago. Download and Listen to 'Seveteen' after the beep.
Video: Mumford & Sons Live on Jools Holland
In my opinion Jools Holland's show 'Later Live' never showcases a bands live talent to its full extent, the instrumental part is never loud enough. Having said that there are a few bands which still manage to get that-Top of the Pops style, slightly embarrassed to dance-crowd moving. Mumford & Sons are one of those bands. They played my favourite song 'The Cave' and 'Roll Away Your Stone', both of which sounded great. You can watch both video's and comment after the beep.
She & Him Live on David Letterman
As much as the She part of She & Him looks petrified in this live performance you can't argue with the impressive sound the band created here. It almost covers up the media's feeding frenzy on the fact that there is an ACTRESS in the band, almost. Enjoy.
Live: Ben Gibbard @ SXSW (Video)
Austin, TEXAS just has to keep taunting me with its ridiculously good line-up, first Chiddy Bang and now Ben Gibbard! I have seriously considered up and leaving for the U S of A next year, never mind University! At the gig Ben played an eclectic set with some Death Cab and a few covers thrown in. Thanks to Stereogum for the videos. Enjoy ( I know i would have if i lived in Austin).
"Title And Registration"
"405"
"Recycled Air"
"Title And Registration"
"405"
"Recycled Air"
Giveaway: Phoenix Live Album (Free Download)
If you don't download this you are insane. For one it is free! Next comes the fact that the album is one of the best of last year and Phoenix in my are opinion are at least twice as good when playing live (judging by this album, i haven't been lucky enough to see them yet).
If you are normally put off by live albums because of the lack of production value normally associated, you needn't worry. Whilst they are playing it sounds as if they are in a studio doing endless takes. Its that good.
Track list:
1.Lisztomania
2.Lasso
3.Fences
4.Girlfriend
5.Armistice
6.Love Like A Sunset
7.Rome
8.1901
You can download the album after the beep.
Left Click: Download Wolfgang Amadeus Phoenix Live
If you are normally put off by live albums because of the lack of production value normally associated, you needn't worry. Whilst they are playing it sounds as if they are in a studio doing endless takes. Its that good.
Track list:
1.Lisztomania
2.Lasso
3.Fences
4.Girlfriend
5.Armistice
6.Love Like A Sunset
7.Rome
8.1901
You can download the album after the beep.
Left Click: Download Wolfgang Amadeus Phoenix Live
Mumford & Sons @ Newcastle Union 07/03/10
95/100 - I have to apologise for me taking so long to post this review I haven't even been busy lately, I'm literally not sure what I have been doing for the last week, hmmmmm.
Anyway, to the review. A gig on a Sunday night is a bit of an odd proposition. my expectations of energy levels from the crowd and me were a tad on the pessimistic side. As always the optimist makes me look like a fool.
Doors were 7.30 ( you get there for about 8.30) and I was enthusiastically early (on time) only to find that the queue length was proportional to Mumford & Sons brilliance. When I had eventually got over the in-queue weather, I witnessed one of the best gigs i have ever seen (Still trying to place this, above or below Blur at Glastonbury?). Before I start on the ceaseless praise of Mumford & Sons I should first congratulate the support acts Andrew Davey and the brilliant Fanfarlo who did the most difficult job in music with ease, and had the crowd singing their praises and buying their merchandise before the end of the night.Although they were great the support acts were great they were pale in comparison to the main attraction. Mumford & Sons played an incredible gig, they made the crowd sing, dance, laugh, shout Geordie words and just generally fall in love with their music all over again. One of the most impressive things about the gig was how much depth the set list had despite their one album release. They mixed in their lively tracks with slower ones and old songs with some brand new songs that left me cruising YouTube just to hear grainy badly shot live versions. The sheer energy of the band turned even the obliged partners in the crowd into avid fans and left the atmosphere buzzing with an admiration of the bands skill and live prowess. I think the fact that three out of the four members of the band played drums at some point says something about the talent that Mumford & Sons have within those banjo plucking fingers. The gig left all that attended with a new lease of Mumford & Sons life and many a whistled 'Little Lion Man' could be heard a long time after they left the stage. All that leaves me to say is well done Mumford & Sons and well done to the person who bought me the tickets.
Anyway, to the review. A gig on a Sunday night is a bit of an odd proposition. my expectations of energy levels from the crowd and me were a tad on the pessimistic side. As always the optimist makes me look like a fool.
Doors were 7.30 ( you get there for about 8.30) and I was enthusiastically early (on time) only to find that the queue length was proportional to Mumford & Sons brilliance. When I had eventually got over the in-queue weather, I witnessed one of the best gigs i have ever seen (Still trying to place this, above or below Blur at Glastonbury?). Before I start on the ceaseless praise of Mumford & Sons I should first congratulate the support acts Andrew Davey and the brilliant Fanfarlo who did the most difficult job in music with ease, and had the crowd singing their praises and buying their merchandise before the end of the night.Although they were great the support acts were great they were pale in comparison to the main attraction. Mumford & Sons played an incredible gig, they made the crowd sing, dance, laugh, shout Geordie words and just generally fall in love with their music all over again. One of the most impressive things about the gig was how much depth the set list had despite their one album release. They mixed in their lively tracks with slower ones and old songs with some brand new songs that left me cruising YouTube just to hear grainy badly shot live versions. The sheer energy of the band turned even the obliged partners in the crowd into avid fans and left the atmosphere buzzing with an admiration of the bands skill and live prowess. I think the fact that three out of the four members of the band played drums at some point says something about the talent that Mumford & Sons have within those banjo plucking fingers. The gig left all that attended with a new lease of Mumford & Sons life and many a whistled 'Little Lion Man' could be heard a long time after they left the stage. All that leaves me to say is well done Mumford & Sons and well done to the person who bought me the tickets.
Newcastle Music Scene: March
Another great month for music in Newcastle, all venues are packed with a great line-up for March. The pick of the bunch was an easy choice really, Mumford & Sons at Newcastle Union. I was extremely excited for this gig even more so when i found out Fanfarlo are supporting them. Mumford & sons have already established themselves as one of the best new bands both on record and live, I can't quite believe my luck that they are playing such a small venue with such an excellent support band.
Marina And The Diamonds @ The Other Rooms (Photos)
I have to apologise for the fact there is only two photos worth showing, my camera battery was being tempremental.
Live: Marina And The Diamonds @ The Other Rooms, Newcastle 18.02.10
92/100 4 days before her album 'The Family Jewels' release, Marina And The Diamonds played The Other Rooms in Newcastle. The small room was packed with 'Diamonds' desperate to make it to the front and catch a glimpse of the eccentric frontwoman. Marina was supported by the atmospheric synth pop band 'Clock Opera' who, unlike most support bands really got the crowd going and left me wanting to go see what one of their own gigs would offer. Despite Clock Opera's impressive performance and the crowds obvious admiration for them, nothing could overshadow the act which we had all come to see.
The cheers rippled through the crowd as a large security man escorted a cloaked figure through the left of the crowd, dressed in a knitted gown complete with pig/sheep hood and a Planet Hollywood dress Marina Strode onto stage and kicked off with the punchy 'Girls'. The crowd were all up for the gig from the start which was mainly due to Marina's enthusiasm on stage. She managed to keep pitch perfect whilst jumping from one side of the stage to the other determined to please all sounds of the room. She rattled through 'Seventeen' and Outsider' before taking time to thank her 'Diamonds' for their support before showing she really meant it by performing the impeccable 'I Am Not A Robot'. More of her excellent album tracks followed with 'Oh No', 'Numb','Obsessions' and 'Rootless' all making the £9.50 seem more and more worth it. She Finished her show with three songs which i think will become many fans favourites, first was the new single 'Hollywood' to which she held up a fans banner reading 'Hollywood infected our brains' (very jealous i didn't think of that). the second track is one of my favourites on the album 'Shampain', it was instantly popular with the crowd who despite the album only being streamed that morning had clearly taken time learn all the words. She finished the show with the brilliant 'Mowgli's Road' which I'm sure left all the diamonds go home with a sense of satisfaction and a serious carving to go and listen to those family jewels once again.
The cheers rippled through the crowd as a large security man escorted a cloaked figure through the left of the crowd, dressed in a knitted gown complete with pig/sheep hood and a Planet Hollywood dress Marina Strode onto stage and kicked off with the punchy 'Girls'. The crowd were all up for the gig from the start which was mainly due to Marina's enthusiasm on stage. She managed to keep pitch perfect whilst jumping from one side of the stage to the other determined to please all sounds of the room. She rattled through 'Seventeen' and Outsider' before taking time to thank her 'Diamonds' for their support before showing she really meant it by performing the impeccable 'I Am Not A Robot'. More of her excellent album tracks followed with 'Oh No', 'Numb','Obsessions' and 'Rootless' all making the £9.50 seem more and more worth it. She Finished her show with three songs which i think will become many fans favourites, first was the new single 'Hollywood' to which she held up a fans banner reading 'Hollywood infected our brains' (very jealous i didn't think of that). the second track is one of my favourites on the album 'Shampain', it was instantly popular with the crowd who despite the album only being streamed that morning had clearly taken time learn all the words. She finished the show with the brilliant 'Mowgli's Road' which I'm sure left all the diamonds go home with a sense of satisfaction and a serious carving to go and listen to those family jewels once again.
Live: Hot Chip @ 02 Academy Newcastle 18.02.10
With the release of their new album, ‘One Life Stand, indie synth kings Hot Chip are once again touring the UK, and I was lucky enough to get my hands on a few much clamoured after tickets to see them in the fair city of Newcastle earlier this week. Having been a massive fan of hot chip for a few years now (to such an extent that I actually improvised a dance to ‘over and over’; tragic I know) I was buzzing with anticipation to see whether my favourite electroers would live up to the pressure of live performance. There were many burning questions, including ‘will Alex Taylor’s slinky vocals be pitch perfect or a bit off key?!’ and ‘Can a synthesizer carry a live track?!’ and I am pleased to say that the answer to my fears was a resounding affirmative.
Kicking off with some newbies from the recently released album, the band cut a slick and very together performance, and the fan’s dedication was shown by the fact that the dancing was as energetic during the new tracks as in those which have come to be regarded by many as indie dancefloor classics, the category of which includes the ever popular ‘over and over’ and the more recent hit ‘ready for the floor’.
The only flaw of the gig as far as I could see was a slightly awkward bit of recurring feedback in the middle few tracks, and the disgustingly mushy couple getting off next to us. But hey, the band could hardly help that.
After driving the crowd crazy with a sharply executed set of numbers they culminated (after an extremely loud encore) with a stomping guitar infused version of ‘ready for the floor’, which was a very nice way to end things indeed.
All in all a very successful gig which not only lived up to my high expectations, but succeeded them.
Written and photographed by Poppy Gardner
Kicking off with some newbies from the recently released album, the band cut a slick and very together performance, and the fan’s dedication was shown by the fact that the dancing was as energetic during the new tracks as in those which have come to be regarded by many as indie dancefloor classics, the category of which includes the ever popular ‘over and over’ and the more recent hit ‘ready for the floor’.
The only flaw of the gig as far as I could see was a slightly awkward bit of recurring feedback in the middle few tracks, and the disgustingly mushy couple getting off next to us. But hey, the band could hardly help that.
After driving the crowd crazy with a sharply executed set of numbers they culminated (after an extremely loud encore) with a stomping guitar infused version of ‘ready for the floor’, which was a very nice way to end things indeed.
All in all a very successful gig which not only lived up to my high expectations, but succeeded them.
Written and photographed by Poppy Gardner
Yeah Yeah Yeahs: Live at O2 Academy, Newcastle 3/12/09
This is my first review and it is a shambles. I don’t even know who I have reviewed.The support act (I don’t know their name…the drum kit said “TTT” and they’re from Montreal and that’s all I could understand.) played to the small, early crowd a brand of rock somewhere between electro and punk, like a female-fronted Test Icicles. The front-woman did her best to whip the crowd up a bit, dancing her way through the audience and climbing on the bar, but found little response. The keyboard-synth maestro ingeniously played his instruments with a combination of palm and entire arm rather than boring, conventional fingers. Sadly, this often drowned out the vocals. Two catchy dance floor songs were actually half decent, but not good enough to dedicate time to finding out who they were.
The unknown female singer graced the stage in jeans and a hoody. She paled in comparison to the fabulous, rock and roll beauty that is Karen O. Bursting onto the stage in a white outfit somewhere between a poncho and a kimono like a futuristic, fluorescent Aztec; the crowd went mental. Firing straight into 'Heads Will Roll', Karen O worked the stage and the crowd, start to finish. This being the first time I had seen the Yeah Yeah Yeahs live I was not disappointed by Karen’s fantastic charismatic stage presence that simultaneously created the aura of intrigue and warmth that said she was really happy to be here for us. Karen O, Nicolas Zinner and Brian Chase took us on a whirlwind tour of "It’s Blitz!" and some of the more popular numbers from the old albums;'Shame and Fortune', 'Dull Life', 'Cheating Hearts', 'Soft Shock', 'Turn Into', all complete with foot operated glitter canons and onstage theatrics.'Gold Lion' was a high point in the night, bringing the most energy from the crowd,'Skeletons' was a welcome slow-down for us all to get our breath back, and 'Zero' saw Karen aptly accessorize with a customised leather jacket. Electric guitar was replaced by an acoustic for an incredible, heart-felt rendition of their most famous song,'Maps', prompting a good old fashioned lighters-out and crowd sing-a-long. This is modern rock at its rawest; unpretentious and believable.
Written By Kathryn "O" Palmer
Live: Live Like Lions & The Beautiful Machine
Live Like Lions Myspace
The Beautiful Machine Myspace
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